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Etching 'deep sleep under hollow dome' by Erika Richter
Etching 'deep sleep under hollow dome' by Erika Richter
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The encounter with rock as a moving mass is the starting point for this series of works by Erika Richter. The relationship between the individual and nature is processed here as a haptic experience and finds its expression in the depiction of eroded surfaces.
In this sense, erosion is not only a geological process of erosion, but also a mirror of self-perception and personal introspection. The dissolution of scale within the paintings enables the observation of a rigid element as an organic snapshot of a seemingly eternal process.
deep sleep under hollow dome, 2023
IV. Edition
9/9
Line etching and aquatint on white laid paper, duplex print with 4 plates
Approx. 106 x 78 cm
40.5 x 18 & 40.5 x 33.5
Edition: 9 | signed, numbered
Out of stock
Note
Note
Due to the manual printing technique, there may be slight deviations that emphasize the individual character of each sheet.
Manufacturer information
Manufacturer information
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10785 Berlin
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Our studio picks are works of art that we acquire directly from artists. We value the work of these artists for their artistic expression and technical skill. If they are prints, they are available in a small limited edition. The production process of the works is documented and traceable. You will receive a certificate of authenticity when you purchase a FRIDAY BIRD Studio Pick.
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About Erika Richter
Erika Richter (born 1994 in Dresden, Germany) is a painter and visual artist whose work also extends into printmaking. A graduate and Meisterschülerin of the Hochschule für Bildende Künste Dresden, she explores structures and transformations found in nature through both paint and print. Her etchings and aquatints complement her painterly approach, translating the same sensitivity to surface and tone into graphic form. Richter has exhibited widely across Germany, establishing herself as part of a younger generation of Dresden-based artists.
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About Etching
Originating in medieval Europe, etching became one of the most important printmaking techniques of the old masters. Using acid to bite designs into metal plates, artists achieved remarkable detail and expression.
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