29 November 2025 – 31 January 2026

This exhibition brings together two artists whose practices are rooted in the tradition of etching but have developed their own distinct visual languages. Through the process of drawing into metal, biting, inking, and pressing, both Donna Volta Newmen and Erika Richter explore how the etched line can express different atmospheres and temperaments.

Newmen’s imagery drifts between human, botanical, and mythic forms and is charged with an immediate intimacy. Richter, on the other hand, turns her gaze toward the geological and elemental, tracing time and erosion across the surface of the plate.

The delicate portrait line of Newmen and the cratered rock surface of Richter show how the same etched process can yield entirely different worlds — how aquatint’s tonal fields might speak of leaf canopy in one case, of sediment in another. Both emerge from a similar manual, meditative practice that is grounded in the tradition of printmaking but also reimagines its possibilities.

Opening Reception: 29 November, 5–9 pm

  • Installation view of Fine Line by Erika Richter and Donna Volta Newmen
  • Close-up of copper plate by Donna Volta Newmen
  • Artwork by Erika Richter at Friday Bird
  • Collage of black and white prints of rocky landscapes by Erika Richter
  • Close up of artwork by Donna Volta Newmen
  • Text about exhibition 'FINE LINE' by Friday Bird on a surface with shadows.
  • Metallic plate by Erika Richter on a black background
  • Framed artwork by Erika Richter ad etching plates
  • Erika Richter and Donna Volta Newmen at Friday Bird
  • Erika Richter in her studio in Dresden
  • Artistic paint palette with various colors in the studio of Donna Volta Newmen_Photographer: Martino Semenzato
  • Donna Volta Newmen with her printing press. Photographer: Victoria Kaempfe
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