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FRIDAY BIRD

Framed color etching by Thomas Schütte

Framed color etching by Thomas Schütte

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This etching by Thomas Schütte from the Sophie series presents a portrait rendered in bold red lines and forms. The image appears both direct and fragile: the figure’s head is covered with a scarf, accented by dots and fine details. The face looks out frontally. Energetic, almost sketch-like strokes bring a sense of immediacy and tension to the work, while the restrained use of red and white focuses all attention on the presence of the face.

Untitled (Sophie), 2005
Color etching on paper (in black wooden frame)
56 x 76 cm (sheet)
67 x 85 cm (with frame)
Edition of 35 | signed, numbered

This etching is part of the portfolio “Untitled (Sophie)” from 2005 with a total of 25 sheets. If you are interested in other sheets from the series, we will be happy to assist you. 

Low stock: 1 left

Note

Due to the manual printing technique, there may be slight deviations that emphasize the individual character of each sheet.

Manufacturer information

FRIDAY BIRD UG (haftungsbeschränkt)
Kluckstr. 23A
10785 Berlin

hello@fridaybird.com

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FRIDAY BIRD Classic Collection

In the FRIDAY BIRD Classic Collection, we present works by established artists that we have selected from galleries, publishers or other art institutions. It is important to us that they fit in with our aesthetic of timeless, beautiful art, in which we see a poetic quality. We carefully check the provenance of each individual work to ensure its authenticity.

About the Frame

About Thomas Schütte

Thomas Schütte (born 1954 in Oldenburg, Germany) is one of the most influential contemporary German artists. Trained at the Kunstakademie Düsseldorf under Gerhard Richter and Benjamin Buchloh, his practice spans sculpture, drawing, architecture, and printmaking. His etchings and aquatints reflect the same interest in form and irony found in his larger works and have been exhibited at MoMA New York, the Reina Sofía Madrid, and the Fondation Beyeler Basel.

About Etching

Originating in medieval Europe, etching became one of the most important printmaking techniques of the old masters. Using acid to bite designs into metal plates, artists achieved remarkable detail and expression.

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